How we made

Latest about How we made

"We wanted to go for the punk aesthetic that the BIA has always encapsulated": How we made the new Brand Impact Awards identity

By Rosie Hilder published

Taxi Studio takes us through its new BIA rebrand.

Branding

"When people have it in their hands, it could become their favourite trophy": How we made the new BIA Mallet

By Rosie Hilder published

Taxi Studio explains how it crafted the iconic new Brand Impact Awards trophy.

Branding
Umeshu Lovers art

How we made our animation tribute to Akira Toriyama

By Umeshu Lovers published

Umeshu Lovers walk us through creating their Akira Toriyama-inspired April Fools’ demo.

Creative Inspiration
How we made animated film No Dogs and Italians; characters step off a train

How we made animated film No Dogs or Italians Allowed

By Foliascope published

The team at studio Foliascope explain their compositing process.

3D Animation
From the short film 'Symphony' created by Mondlicht Studios using Unreal Engine 5.2

How we made a stunning cinematic in Unreal Engine 5.2

By Mondlicht Studios published

Mondlicht Studios explains how it pushed the boundaries of Unreal Engine 5.

3D
Graphic design in Apple TV's Manhunt; wanted poster

"A weird, wonderful and demanding job": How Gina Alessi made the graphic design in Apple TV's Manhunt

By Ian Dean published

There's an art to recreating 19th century America.

Graphic Design
Linearity Move software screenshot saying 'what does inclusivity look like?' next to a pie chart

"We wanted to ensure we weren't just copying what's out there": How we made Linearity Move

By Rosie Hilder published

The team behind new animation software Linearity Move talk through its development.

Interviews
Deathsprint 66; a man in a race suit runs across a red backdrop

How sports branding defined the creative campaign for Deathsprint 66

By Ian Dean published

"Great design transcends," says Fluid's creative director James Glover.

Branding
Cannonball!, book made by Taxi Studio, spread showing an open book with a pop up bird and books underneath

"It was an extremely complicated production": How we made Cannonball!

By Rosie Hilder published

From tricky pop-ups to beautifully illustrated characters, Taxi Studio's new book is a triumph of problem solving.

Books
An image from the short film Silhouette

"It was a big challenge since we had limited FX experience": How we made VES Award winner Silhouette

By Joseph Foley published

The Visual Effects Society student winners tell us how they created their beautiful short film.

VFX
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