How we made

Latest about How we made

How we made Ada; A digitally animated scene depicts two women in a grand, antique-style library, with one pointing.

How we made the "lush, handmade look" of animated series Ada

By Elizabeth Cox published

Writer and director Elizabeth Cox shares how the Should We Studio mixed 3D and 2D animation techniques.

3D Animation
Making the visual design of The Brutalist; a man sits in a shadowed room

"There was a sense of scale and grandeur about every shot": How we made the ethereal visual design of The Brutalist

By Ian Dean published

Film colourist Máté Ternyik reveals how the Oscar-nominated movie built its unique aesthetic.

Film & Video
Asterism indie game

How hand-crafted indie game Asterism mixes digital art and papercrafts

By Alan Wen published

Solo dev Claire Moorwood made her dream game using Unity.

Video Game Design

"Working in a prison presented numerous challenges": How we made the identity for charity Untold

By Rosie Hilder published

Behind the scenes with Here Design on the project that won the Social Impact Award at the BIAs.

Graphic Design
The New York Historical rebrand

"Every rebranding project is an archaeological dig": how we made New York Historical's new identity

By Joe Foley published

We learn how Lippincott found a single thread in historic institution and made a hyphen into a bridge for opposing views.

Branding
Warframe 1999 anime animation; space ninjas

How arthouse studio THE LINE drew on Warframe: 1999's "unapologetic stylishness" for its anime short

By Ian Dean published

Animation director Venla Linna says the '90s kids are in charge'.

3D Animation
3D printed tiny model of a woman taking a selfie

"It still blows my mind just how small the sculptures were": How we Made Samsung's Micro Miracles

By Rosie Hilder published

We go behind the scenes with ManvsMachine on this Brand Impact Award-winning film.

3D
Selection of branding assets for RSCPA, including logo, animal illustrations and typography

"This rebrand was a real high-wire act": How we Made the RSPCA's new visual identity

By Rosie Hilder published

I speak to JKR and the RSPCA about the rebrand that won big at this year's Brand Impact Awards.

Branding
Screenshots from the Rings of Power and The White Lotus title sequences

'It needs to feel like magic': The art of creating an unskippable TV title sequence

By Daniel John published

We talk to Plains of Yonder, the team behind Rings of Power, The White Lotus and more.

VFX

"It was a lot of fun seeing what kind of mischief emerged": How Oliver Jeffers and Sam Winston made their new picture book

By Rosie Hilder published

We go behind the scenes of The Dictionary Story.

Art
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