Lightworks review

Our Lightworks review assesses the features and interface of this free video editing software.

Lightworks review
(Image: © Lightworks)

Our Verdict

While Lightworks has been around longer than most editing software, it's failed to move with the times. Its effects tools are limited and it lacks the flexibility required by today’s social media world.

For

  • Intuitive interface functions
  • Free version has most features

Against

  • Project frame rate limits import
  • Lacking in effects tools
  • Performance issues
  • Limited export options
  • Pro version is expensive

Why you can trust Creative Bloq Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

Welcome to our Lightworks review. Lightworks was first released in 1989 for film editing, used on the likes of Pulp Fiction. It has since been updated for digital video and, though Adobe Premiere Pro and Final Cut have overtaken it as Hollywood's top choice, it's still a powerful application. Lightworks is available in free and premium versions.

Lightworks' interface is split into four main tabs – log, edit, VFX, and audio. It's a mid-level application – more accessible than DaVinci Resolve, more complex than iMovie, and on a similar level to VSDC. The latest version is numbered 2020.1, and includes a few small new features, though no significant changes. In our Lightworks review, we'll assess its features and interface to see how it compares to other free video editing software. To explore other options for yourself, see our guide to the best video editing software.

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The Verdict
4

out of 10

Lightworks review

While Lightworks has been around longer than most editing software, it's failed to move with the times. Its effects tools are limited and it lacks the flexibility required by today’s social media world.

Kieron Moore

Kieron Moore is a freelance writer based in Manchester, England. He contributes to Future sites including TechRadar and Creative Bloq, focusing on subjects including creative software, video editing, and streaming services. This work draws on his experience as an independent filmmaker and an independent TV watcher. He can be found on Twitter at @KieronMoore, usually when he’s meant to be writing.

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