Google Pixel 4 review

Can Google's latest Pixel handset steal the best smartphone camera crown?

Google Pixel 4 review
(Image: © Basil Kronfli)

Our Verdict

The Google Pixel 4 is a decent phone, looks fantastic in white or orange and has a stellar camera, but for a Pixel and for the price, it falls short. Its battery is weak, many of its features feel like gimmicks and now that the latest iPhone can capture stunning night photography too, the series is less special than it once was for creatives.

For

  • Excellent stills camera
  • White version looks fantastic
  • Clean interface

Against

  • Expensive
  • Low storage options
  • Mediocre video camera

Why you can trust Creative Bloq Our expert reviewers spend hours testing and comparing products and services so you can choose the best for you. Find out more about how we test.

The Google Pixel 4 and 4 XL have landed; they’re the latest best camera phones in a line once renowned for having iPhone beating cameras, but times have changed. Apple has finally upped the imaging ante with its iPhone 11 Pro. It has an ultra-wide, GoPro-a-like camera, which the Pixel 4 doesn’t, and it’s also catching up when it comes to night photography too. 

The competition from other Android phones is also fierce, with the Galaxy Note 10 Plus delivering one of the best on-the-go creative solutions around, and the OnePlus 7T packing in more and costing less. The question is, should you still be considering a phone that’s made by Google in 2020? Let's find out. 

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The Verdict
8

out of 10

Google Pixel 4

The Google Pixel 4 is a decent phone, looks fantastic in white or orange and has a stellar camera, but for a Pixel and for the price, it falls short. Its battery is weak, many of its features feel like gimmicks and now that the latest iPhone can capture stunning night photography too, the series is less special than it once was for creatives.

Basil Kronfli

Basil is a trained graphic designer and photography expert who geeks out over anything to do with digital imaging and sketching. Now a tech journalist and content director at a creative comms agency, he covers tech through a real-world lens, contributing to titles including Creative Bloq, Digital Camera World, Metro, T3, TechRadar and WIRED.

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