Twitter is where you can find the referees of logo design and branding, and a recent football rebrand has seen some fishing for the red card in their proverbial pocket. Potentially guilty this time round of fouls against design is the Royal Spanish Football Federation (RFEF), the Spanish equivalent of the FA and who some may wish had done sweet F.A. regarding a much-admired logo.
The first own goal was maybe RFEF's decision to ditch their original branding altogether. A popular icon inspired by the artist Joan Miró, the old design spun with a jazzy, effervescent flair and gave designers some genuine logo inspiration. But instead of, say, reconceptualising the logo for a new generation, the RFEF instead went with something less inspired by a Spanish master painter, and perhaps more inspired by the corporate boardroom.
Original logo on the left, 2021 version on the right (Image credit: RFEF)
As you can see in the above comparison image or the close-up below, the RFEF's new logo is a very different ball game. First up, it's hard to tell which brand it's meant to represent: is it the RFEF? Or the REFF? It's not easy to assume which reading order the letters are meant to be in.
The biggest outcry online has been over losing the rather painterly look of the original and longstanding logo. The Beautiful Game could always do with more beauty in its presentation, and design too gets flack for sometimes foregoing visual creativity. This is a logo though which, for better or worse, puts function over form.
(Image credit: RFEF)
Designers and footie fans alike have been up in arms about the decision; one even compared it to "something you'd see in the reception area of a pharmaceutical company."
Instead of being radical and creating a brand new icon, Juan here has opted to take the original and reconceptualise it for a new era. The colours and form of the original all present, but with the tidier, flatter feel that most modern logos possess.
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While it's still hard to read the brand name in the right order, we'd say Juan has created something that keeps both sides of the pitch happy: those who like neat design, and those who like things a little more impressionistic. In fact, it rather reminds us of BMW's new logo, no doubt the car rebrand of the decade so far.
Giacomo is a writer and talking head who has covered creativity and creative tools for Wallpaper*, Digital Arts, Creative Boom, VICE, Little White Lies, the BBC and more. Giacomo has also hosted for Adobe and D&AD, and judged the annual New Blood Awards. He was deputy editor of Creative Bloq for a short time in 2021.
