But there's more to the new look than you might think.
Major fashion chain Zara has released a new logo, and incited the wrath of designers on Twitter, thanks to some over-enthusiastic kerning. The original logo, pictured below, was an all-caps wordmark that was a little too spaced out for our liking. But it seems to have overcorrected the issue for its new look (above), in which the letterforms are so enthusiastically overlapped they are barely legible.
The old Zara logo was rather spaced out
In defence of the new logo, we're pleased to see Zara has not joined the hoards of fashion brands stripping away personality and heritage from their logos in favour of classy but bland sans-serif wordmarks. Zara's new logo retains visual links to its original font, but has livened it up further with overlapping characters and serifs, and a new, curvy 'R'.
So it's not lacking in personality, and it'll certainly stand out in a sea of increasingly similar-looking high street logos. But is there much else positive to say about this new logo design? Erik Spiekermann called it 'the worst piece of type I've seen in years', while others suggested it looked like it was kerned by a robot.
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The new logo was launched with Zara’s Spring/Summer 2019 campaign, which has French art director Fabien Baron at its helm, with some suggesting the logo may be temporary to coincide with the campaign (or perhaps using it as a good way to test out the new logo?).
The new typography is now all over Baron & Baron's website. The site also shows a more detailed look at the logo, including how it will work on mobile devices, across posters and in lookbooks. And we think it looks rather elegant – see the image below. It does bear a pretty striking resemblance to the typography in Harper's Bazaar in the '90s, when Baron was creative director (as Gareth Hague pointed out on Twitter).
The logo can be broken up and used in rather sophisticated ways, as this image shows
The website also outlines the reasons for the collaboration between Zara and Baron & Baron (and we suspect, the new logo), saying it "gives rise to an approach that blends elegance with edge – lifting the retailer to the level of luxury contemporaries, in a celebration of art and fashion for all".
The Baron & Baron website showcases the new logo in use
As well as the Harper's Bazaar likeness, designers have also been quick to point out the logo's similarity to The Met's 2016 rebrand by Wolff Olins, which similarly failed to draw much praise on its release (it was memorably compared to a typographic bus crash).
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Ruth spent a couple of years as Deputy Editor of Creative Bloq, and has also either worked on or written for almost all of the site's former and current design print titles, from Computer Arts to ImagineFX. She now spends her days reviewing small appliances as the Homes Editor at TechRadar, but still occasionally writes about design on a freelance basis in her spare time.
