Young creatives are given precedence in 2018's Annual.
The launch of the D&AD Annual is always an exciting event. Creatives get to discover who designed the prestigious book and how they have put their spin on the annual, and also see all the winners of the year's D&AD Awards collected in one beautiful volume.
The annual is always a masterclass in how to design a book, but at last night's launch party D&AD revealed that its 56th Annual contains something extra special. This year's Annual was designed to not only celebrate Pencil-worthy work from across design and advertising, but also create something that would stimulate and inspire young creative talent.
Who designed 2018's D&AD Annual?
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The detachable manual is bright and bold
The Manual contains wisdom on how young creatives can succeed
The typeface Timmons NY is used throughout both books
Step in Magpie Studio, who designed this year's Annual. Known for its playful spirit, award-winning London agency Magpie Studio experimented with the format of the Annual, and cut the front cover in half to make space for a new addition: the Manual.
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The Manual is detachable from the main Annual, and is aimed at young designers and creatives who are just entering the industry. It features creative tasks, such as reimagining a doughnut or cutting out and rearranging a series of flags, as well as nuggets of inspiration and wisdom from industry heavyweights such as Michael Johnson (Johnson Banks), Bjorn Stahl (INGO Stockholm) and Alice Tonge (4creative).
The Manual describes itself as a "guide for the dreamers and the idea-havers", and the front page encourages Annual owners to detach their Manual and pass it on to "someone with big ideas". It uses the same typeface as the Annual, Timmons NY, in order to give the titling impact in a modern and utilitarian way.
An inspiring Annual/Manual for budding creatives
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The Manual can be attached to the Annual with an elastic band that says 'expand your creativity'
Award-winning work is given centre stage
The category openers are also a delight
The Annual showcases this year's finest work
The book is available from 20 September
“Ever since college, the Annual has been a hallowed source of inspiration for me," says Magpie Studio's creative partner Ben Christie. "Whilst other awards schemes come and go, D&AD has always been the best of the best. Year on year it’s by far the greatest collection of creative work in the industry. It’s a vital way to spread the word of creativity and hopefully the Manual will help take that reach wider.”
"There have been so many beautiful and interesting Annual designs over the years that I thought this year we use the book to give a bit more back to people just starting out," explains outgoing D&AD President Steve Vranakis.
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"One of my predecessors, Andy Sandoz, was actually the first to introduce the idea of the D&AD Annual acting as a 'manual' for creativity and I thought what better way to deliver against my manifesto of opening up the creative industry to more people especially those coming from diverse and disadvantaged backgrounds than to revive this.”
Rosie Hilder is Creative Bloq's Deputy Editor. After beginning her career in journalism in Argentina – where she worked as Deputy Editor of Time Out Buenos Aires – she moved back to the UK and joined Future Plc in 2016. Since then, she's worked as Operations Editor on magazines including Computer Arts, 3D World and Paint & Draw and Mac|Life. In 2018, she joined Creative Bloq, where she now assists with the daily management of the site, including growing the site's reach, getting involved in events, such as judging the Brand Impact Awards, and helping make sure our content serves the reader as best it can.
