Get practical inspiration to help you be a better artist in the latest issue of 3D World.
This issue, along with our usual reviews, inspiration and regular Q and A sections, we review Blackmagic Design's eGPU, teach you how to create monstrous machinery with Cinema 4D, and look at Gravity Sketch and GSG Light Kit Pro.
We take a look inside the issue to find out what else is in store...
Feature: Be a better pro!
Get expert insight into being a better pro artist
We talk to a group of seasoned pro artists to get their thoughts and tips on what has made them successful. Spoiler: It's not all about staying creative but about dealing with clients, time management, and so much more.
Feature: VFX of The Meg
Plumb the depths of this aquatic VFX masterpiece
In this feature we talk to the team behind the visual effects of The Meg, looking at their approach to not just the implementation but the design decisions behind creating such an epic monster.
Training: Create a stunning sci-fi scene
Use 3ds Max to create realistic otherworldly scenes
In this in-depth step by step tutorial, Oscar Juarez shows you how to use 3ds Max and Photoshop CC to create sweeping sci-fi vistas. Learn how to model, texture and light a scene, as well as use existing assets to populate your scene and tweak your renders in Photoshop.
Training: Make monstrous machines with Cinema 4D
Make large scale industrial models with CAD data
Creating industrial machines that are so detailed and of such a large size can appear daunting, but in this tutorial you'll learn the secrets to success, from using CAD data inside Cinema 4D to rendering using Octane.
Training: Use Marmoset in VR
In this tutorial our expert VR artist, Martin Nebelong, shows you how to take Marmoset into a VR project, expanding your toolset
Training: Create a destroyed pier
Master hollywood-style destruction VFX
This tutorial will guide you, step-by-step, in the making of realistic destruction simulation, using 3ds Max, V-Ray and Rayfire.
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Rob Redman is the editor of ImagineFX magazines and former editor of 3D World magazine. Rob has a background in animation, visual effects, and photography.
