Features archive

February 2025

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41 articles

February 28
- 6 reasons not to overlook the Mac mini
- How Wheel World's massive rolling landscapes were made possible with Houdini
- ImagineFX Art Challenge is back!
- “I tried to tell a story with this model”: how this freelance illustrator developed and modelled an original character in ZBrush
February 27
- Mixing Unreal Engine 5 and DaVinci Resolve - how new film Babiru is changing animation
- "There's incredible typographic variety right now", Charles Nix reflects on type in 2025
February 26
- The best anime characters to draw
February 25
- Stop-motion animation: everything you need to know
February 24
- "We’ve been making video for social since before social was a thing": a day in the life of Pete Gibbons
- Paddington in Peru's use of previz turned a London studio into a jungle
February 23
- "AI will take work, it will probably not take jobs, at least not immediately," says leading typographer Charles Nix
- "It was one of the most complicated scenes we had to do" – how Paddington in Peru's Citadel was made
February 22
- How to use AI properly – 5 tips to help you get the most from the tech
- Cartoons of the 1950s – the best animated movies from Lady and the Tramp to Animal Farm
February 21
- Clair Obscur: Expedition 33's art director jokes how he wanted to make a 'realistic version of SpongeBob'
- 7 reasons the iPhone 16e is a huge improvement on the iPhone SE 3
- "The environment is like a character in the game": how Wanderstop's world design blends Art Nouveau and Impressionism
- Paddington in Peru's animation works because of one small detail
February 20
- How we made the "lush, handmade look" of animated series Ada
February 19
- Dissecting Avowed's beautifully abstract artwork, and how it was made
February 18
- Using Unreal Engine 5 “can be a trap”, says the dev behind Clair Obscur: Expedition 33
February 17
- Why simplicity matters in UX and digital design
February 15
- "There was a sense of scale and grandeur about every shot": How we made the ethereal visual design of The Brutalist
February 14
- How Unreal Engine and Epic's Megascan library made solo-developed Lushfoil Photography Sim possible
February 12
- What do you wish you'd known as a beginner graphic designer? - We asked the experts
February 11
- Why colour is such a powerful tool in UX design
- How Monster Hunter Wilds was made possible by Capcom's secretive RE Engine
February 10
- 12 skills to help designers get ahead in 2025, advice from the pros
- "It gives you almost everything": How Unreal Engine 5 empowered the indie team behind WILL: Follow the Light
- Download resources for ImagineFX 250
- All the Apple Macs we expect in 2025 – and the first one is almost here
February 9
- The best typography of the 1920s – from Futura to Industria Gravur
- Creative ads should be for life, not just the Super Bowl
February 8
- 'It's a genie out of the bottle': How AI is impacting graphic design
February 7
- How Wicked's magical VFX was made (and why a single scene was make or break)
- Meet the visionary PUBG MOBILE players pushing the boundaries of creativity
February 6
- Procreate and Unity combine to turn Afterlove EP into a moving manga-inspired indie game
February 2
- AI in Krita could be your new secret weapon – I test it out
- "Blockbuster VFX on a streaming budget": How Netflix's The Manhattan Alien Abduction was created
February 1
- Why less is more when crafting horror art
- This nostalgic indie game is a mash-up of comic art and photorealism - why it works