Features archive

April 2024

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34 articles

April 30
- The best rebrands of the 2010s, chosen by experts
April 27
- Uncovering the secrets behind Rebel Moon: Part One – A Child of Fire
April 26
- The best Unity plugins: we review the latest tools for game creators
- The tech that a creative art director can't live without
- 9 reasons to use iClone BuildingGen for intuitive procedural 3D building creation
April 25
- Why the Game Boy's design is so iconic
April 24
- Bonkers ideas, Barbie and preventing burnout: a day in the life of Katie Peake, co-founder of Backlash
April 23
- The best rebrands of 2020s (so far)
April 17
- 14 stunning parallax scrolling websites
- "Awards recognise that we are creating the best work in the world": a day in the life of Vinay Mistry
April 15
- "We wanted to ensure we weren't just copying what's out there": How we made Linearity Move
April 14
- The best CGI movies of the '80s - VFX that changed filmmaking
- The best header and display fonts making an impact
- The best adverts of the 2010s
- "Animation and art runs through us all": Inside the world of Bomper studio
April 13
- The best horror film posters of all time
- "It’s about finding the balance": A day in the life of visual development artist Chrystin Garland
April 12
- Designing the giddy Art Nouveau fantasy world of new game Our Brilliant Ruin
April 11
- "Success is about relationships": A day in the life of Taxi Studio co-founder Spencer Buck
April 9
- Take on any 3D animation challenge with iClone and Character Creator
- Download resources for ImagineFX 239
April 8
- What is colour grading? Everything you need to know
- Download resources for ImagineFX 240
April 7
- Inside the art of Annibale Siconolfi
April 6
- A day in the life: Senior animation supervisor Liz Bernard
April 5
- "Running an agency is not for the faint-hearted": A day in the life of Red Setter founder Claire Blyth
April 3
- Making Netflix hit Spaceman - MPC's out-of-this-world VFX breakdowns revealed
April 2
- How sports branding defined the creative campaign for Deathsprint 66
- "The Atari logo has become a container for peoples' feelings" - new creative director Tim Lapetino defines Atari's legacy
- "It was an extremely complicated production": How we made Cannonball!
- "Neurodivergence is a skill": A day in the life of partner Guy Cornet
April 1
- Herman Miller vs Steelcase
- AI filmmaking is frighteningly real - director Freddy Chávez Olmos explains how AI was used to make horror film BYE-BYE
- Logo vs icon vs symbol: all the logo terms you need to know