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See how this point-and-click game environment was made for The Mermaid Mask

By Catherine Unger Published

Catherine Unger shares some pro tips from her environment work on the new Detective Grimoire game.

Gaming
Game art from SFB Games
"Everyone has a hundred bad games in them, and we did them really quickly": Adam Vian on the creation and evolution of Detective Grimoire

By Alan Wen Published

The creative director of SFB Games tells us about developing the studio’s style from Adobe Flash games to The Mermaid Mask.

Gaming
Jessica Davey headshot
"Failure isn’t the biggest thing to fear" :5 questions with Jessica Davey

By Natalie Fear Published

GUT Asia's managing director discusses industry survival, Schrödinger's Client and getting comfortable with failure.

Creative Careers
Digital art
7 artists reveal the revelations that took their practice to the next level

By Tanya Combrinck Published

We asked artists what key realisations helped them expand their creative potential.

Creative Inspiration
A man and a robot frog cowboy
"We can cut production costs by 95%": the AI tech taking on Hollywood

By Ian Dean Published

Why Flow Studio's Nikola Todorovic thinks AI will trigger Hollywood's next great disruption.

Animation
How Remothered: Red Nun's Legacy puts this indie studio's Sicilian roots front and centre

By Alan Wen Published

The 'neo-giallo' survival horror's conclusion of its trilogy is powered by Unreal Engine 5.

Video Game Design
How Trails in the Sky gets it right when it comes to remaking a classic JRPG

By Alan Wen Published

As the remake of the second chapter to the series' Liberl arc launches, here's why you should prioritise it over other JRPG remakes.

Video Game Design
Savage X Fenty NYFW ad
Rihanna’s shady new Savage X Fenty ad towers above the competition

By Natalie Fear Published

That’s how you grab attention at NYFW.

Advertising
Tom Murphy headshot
'I'm conscious of remaining open and curious and uncynical': 5 questions with Tom Murphy

By Natalie Fear Published

VML's Co-CCO discusses pet peeves, the dangers of chasing relevance and the one thing all creatives should do outside of work.

Creative Careers
A game screen shows an armed blue-haired woman facing zombies in a bloody subway station littered with bodies.
Nightmare Operator is like Resident Evil 4 and Shin Megami Tensei had a PS1 baby, then taught it fighting-game mechanics

By Alan Wen Published

Nolan Joseph explains how DDDistortion uses modern tools to recreate a readable retro aesthetic.

Video Game Design
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