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"Rogue Trooper is making me SWEAT", says Duncan Jones of his first Unreal Engine 5 movie
By Joe Foley published
The 2000AD animated movie is proving to be epic in more ways that one.
Making the incredible invisible VFX of Horizon: An American Saga - Chapter 1
By Tanya Combrinck published
You won't believe it's CG.
How Maxon's tools were used in some of the summer's biggest blockbusters
By Joe Foley published
Teams working on Inside Out 2, Godzilla x Kong and more used Maxon’s visual effects, 3D animation and rendering tools.
Viral videos debunk bogus claims of 'no CGI' in these movies
By Joe Foley published
"No CGI is really just invisible CGI," this VFX supervisor says.
"It feels exactly like we wanted it to": the making of Ultraman: Rising
By James Clarke published
Shannon Tindle and co-director John Aoshima discuss the character design and visual style of the Netflix superhero movie.
The best film editing, as chosen by BAFTA winner Peter Honess
By Ian Dean published
The editor of L.A. Confidential, The Fast and the Furious and Harry Potter and the Chamber of Secrets picks his inspirational scenes.
From Wes Anderson pastels to the dreaded 'sepia filter': The secrets of movie colour grading
By Alec Pieper last updated
Colourist Alec Pieper on movie design's most 'invisible' art.
Disney quietly changed scenes in Lilo and Stitch, and people are mad about it
By Joe Foley published
A reason to keep those DVDs?
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