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There's a technical explanation for Shrek 5's controversial new look
By Joe Foley published
DreamWorks' MoonRay made the smoother animation style possible.

"Any kid now has tools to make Academy Award-winning films" – Gints Zilbalodis thanks Blender as Flow wins best animation Oscar
By Joe Foley published
How underdog Flow beat competition from Inside Out 2 and The Wild Robot.

Star Wars: The 212th is a new movie I wish was real
By Ian Dean published
New VFX outfit Hoplite Studio celebrates its talented artists with a non-profit short film.

Mixing Unreal Engine 5 and DaVinci Resolve - how new film Babiru is changing animation
By Paul Hatton published
A showcase of next-gen filmmaking techniques.

Technicolor's closure takes down MPC, The Mill and Mikros Animation – but is AI the answer?
By Paul Hatton published
A Technicolor tragedy that many saw coming but couldn’t prevent

Paddington in Peru's use of previz turned a London studio into a jungle
By James Clarke published
Framestore reveals its VFX secrets.

"It was one of the most complicated scenes we had to do" – how Paddington in Peru's Citadel was made
By James Clarke published
Framestore reveals how Paddington's Peruvian bear-city was made.

Paddington in Peru's animation works because of one small detail
By James Clarke published
Framestore's VFX team explain why the famous bear is so realistic.
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