Mastering metals: how to depict silver

OK, you've heard this before, but you should start by gathering references, so that you can observe real-life examples of silver objects. The metal reflects light, and the intensity of this reflection depends on whether its surface is polished or unpolished.

It's a soft metal and so unsuitable for the manufacture of weapons and shields I'll need to use brushes that feature no special texture or effects, because I want the silver to appear smooth, and I'll use strong contrasts of light and shadows to suggest that it's shiny.

01. Start in the dark

I start with a darker colour as the metal's base, and finish by painting the highlights. The ambient light in my picture is a cool colour, so I choose a dark, warm grey as a base.

On any silver object a cold-to-warm contrast between light and shadow will be particularly noticeable, because of the metal's reflective nature.

02. Curves and light

I select my silver colour and start to paint the lighter areas, bearing in mind the shape of the metal as it curves around the character's body.

I pick a dark bluish grey because the silver colour is influenced by the scene's dominant colour: a dark blue. In certain areas I paint the reflected colour of the character's skin.

03. Hard reflections

I define the silver's surface using a very light colour, which is almost the same colour as the light. I use a hard-edged brush to emphasise the reflected light.

I push the skin's reflections and from the light behind the figure, and with a very soft brush add flashes of light where the metal is closer to the light source.

Words: Sara Forlenza

Sara Forlenza is a freelance illustrator living in Italy, where she works on book covers, digital card products and role-playing games. This article originally appeared in ImagineFX issue 111.

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