These creative horror artists have the dark, gruesome and horrifying nailed. Check out their work if you dare.
(Image credit: Alexandros Pyromallis)
The best horror artists keep the spooky season alive all year round, but since Halloween is just around the corner, we've compiled a few of our favourites to help you get in the spirit. Horror art inspiration comes in all forms, from deeply personal fears to iconic films that define the genre, but capturing a sense of fear through art alone is no easy task.
From intricate illustrations to haunting portraits, these artists expertly distil a sense of terror into their works, building haunting worlds and concepting truly terrifying character design. For more spooky inspiration, check out the best Halloween fonts to give your next project a delightfully eerie twist.
20 of the best horror artists for Halloween inspiration
Colorado-based artist Blake Neubert is a painter known for his diverse works, particularly his series of scrape-away pieces, unveiling hidden horrors under seemingly unassuming portraits. With a figurative focus, Blake's artwork takes inspiration from his experience working in criminal justice, often featuring infamous true crime cases in his work.
In his early career, Blake was accepted into the Buffalo Bill Art Show and Sale for his Western-inspired artwork and was the youngest artist to participate. Since then his work has been displayed across the globe and has been used in major motion pictures, music videos, advertising for international brands, and the Federal Government.
(Image credit: Blake Neubert)
02. Junji Ito
(Image credit: Junji Ito)
Illustrator Junji Ito is a cult favourite among manga fans for his terrifying hyper-detailed creations. With strong body horror imagery scattered throughout his works, Junji's signature style is not for the faint of heart, pushing the conventions of the human (and sometimes animal) body to create truly gruesome yet astoundingly intricate illustrations.
Typically working in black ink, the monochromatic appeal of Junji's work creates an extra sense of horror and atmosphere. "I think pen-drawn art has its own charm. The brightness of the picture produced by the contrast between black lines and the white of the paper, and the atmosphere created from the drawn lines… I think they cannot be expressed by live-action so easily," Ito said in a 2018 interview with Rue Morgue.
(Image credit: Junji Ito)
03. Les Edwards
Les Edwards' terrifying Graveyard Shift was commissioned by KHBB for the UK film poster of the Stephen King film (Image credit: Les Edwards)
A seven time recipient of the British Fantasy Award for Best Artist, Les Edwards is a classic horror artist who has been working as a professional illustrator for fifty years. He's worked in many areas, but he's probably best known for is many book covers in the horror, fantasy and science fiction genres. After studying at Hornsey College of Art in North London, he was recruited by the Young Artists illustration agency, then run by John Spencer.
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His work has included major ad campaigns, movie posters for John Carpenter's The Thing and Clive Barker's Nightbreed, two graphic novels based on stories by Clive Barker, Son of Celluloid and Rawhead Rex. Based in Brighten, he has also branched into painting with a more romantic style under the pseudonym of Edward Miller. Although officially "retired" from illustration he still takes on the occasional job but mainly work on commissions for private clients.
If you haven't heard of Keith Thompson, you have almost certainly been privy to some of his inner artistic workings, bringing to life some of the most revered film director's characters (including Guillermo Del Toro) and injecting his creativity into video games and book projects.
A concept artist, creature designer and illustrator, Thompson has worked on projects such as 2017 horror flick The Ritual, to create the movie's 'big bad'. He's also worked on Scott Westerfeld's Leviathan book series.
Thompson's work focuses on characterisation and that is what makes his art so terrifyingly good. His characters are believable, and could be injected into any good work of horror fiction.
You might recognise Scott M Fischer's intricate artwork from his years spent illustrating for the Buffy the Vampire Slayer graphic novel covers, and their various spin-offs.
His process is no less than artistic alchemy, each image meticulously layered full of glorious detail and lyrical line work – it's a treat to watch, and he generously allows his fans to witness it through videos on his YouTube channel. Fischer uses a unique variety of techniques, including painting on copper.
Of course, not all of his work is horror, but all maintain a distinctly eerie, yet romantic feel to them – perhaps an unwitting insight into the artist's own delights and his gravitation towards all things fantastical.
"I am a fan of all things fantasy and much of horror falls into this. It's the dark side of fantasy with many monsters, characters and fantasy situations," reveals illustrator Anne Stokes, who specialises in fantasy art inspired by gothic architecture
"Dark and deathly imagery offer great scope for artists and the possibility of suggesting a sinister story in the picture," she says. "I like the possibilities for contrasting softer and darker subjects."
"I have always enjoyed the creativity and look of gothic clothing and enjoyed visiting the Whitby Goth weekends," Stokes continues. "Many people who attend make a great effort to dress up for the occasion which provides an interesting spectacle as the picturesque old town gets taken over by Goths."
Pyromallis is the co-founder of Viral Graphics, a music-related artwork collaborative set up back in 2006 with fellow artist and music aficionado, Konstantinos Psichas. Under this name, they have provided some stand-out poster art for bands like Soundgarden, the Melvins and Swans.
Pyromallis explains that he is "influenced by the plague of culture, horror films/comics, the metal of death, monsters, the hidden paths of the mind, human stupidity and fear."
He practices what he calls "analogue illustration" – traditional techniques using ink, brushes and paper. He seeks to add his "own ideas and manifestations into the ever-boiling Cauldron of Depravity", and his illustrations certainly don't stray away from this macabre manifesto.
French illustrator Olivier (or DZO, as he's also known) wishes to go deeper into his exploration of the "noosphere" (a philosophical concept about human thought) with his art. Conjuring up the aesthetics of old etchings and religious engravings, occult manuscripts that flirt with alchemy, witchcraft and blasphemy, the artist creates intricate drawings dull of enigmatic detail. Mixing sensuality, darkness and mythology, he strives to create pieces that are disturbing, haunting and stimulating, oozing with mystery and fascination.
Wes Benscoter is a master of metal music album artwork. His terrifying visual skills have been enlisted by pretty much every self-respecting death metal band, including Cattle Decapitation, Morticia, Kreator and Autopsy, not to mention thrashers Slayer, and heavy metal masters Black Sabbath.
It takes a seriously strong stomach to take on the challenge of lending your hand in illustrating merch for such brutal acts – one that many an artist would understandably find a little hard to handle. Benscoter never fails to deliver, no matter how gruesome and gory. He'll happily intricately etch a corpse's entrails or set up a more subtly sinister scene.
"I’m not really a 'horror' artist as such, but the 'Gothic' is an aesthetic that has always resonated with me, from music, fashion, literature and of course visual art. Confronting the shadows is the best way to come to terms with them," says artist Aly Fell. "That 'long night' is waiting for us all, pretending it doesn't exist is to kid yourself. My fluffy bunnies have teeth, but 'Death' looks good in a tutu."
Most recently, she has been working on her own graphic novels. A Trick of the Light is to be followed by the The Kissing Gate, a 64 page book in black and white with some pages in colour. They take inspiration from British girls' comics as well as from novels and films such as 'The Secret Garden and The Railway Children.
Illustrator Michael Whelan is one of the most important science fiction illustrators of our time, having been the first living artist inducted in the Sci-Fi Hall of Fame in 2009.
"I just think about things that seem eerie, or recall frightening situations from my own experiences then adapt them to the exigencies of illustration," admits Whelan. "I don't go for blood and gore; that's about creating revulsion, not fear. I'm inclined towards establishing a situation that provokes more of a feeling of unease than anything else. It's really very hard to actually create a sense of fear in an image alone.
"We, as viewers, are so accustomed to hearing soundtracks with scary noises and music to trigger a 'fear' mood that to do it with an image alone seems almost impossible in these jaded times."
"I do not love horror. I draw about the things that annoy or frighten me," explains artist Laurie Lipton. "When I visited Mexico after my mother died, I realised that I could grab onto my fear of death and feel an illusion of control by drawing about it."
Of the image above, Family Reunion, the artist says: "Death will reunite us with our ancestors. This is how I imagined it will look."
Lipton was the first person to graduate from Carnegie-Mellon University in Pennsylvania with a Fine Arts Degree in Drawing and lived in several countries in Europe before moving to Los Angeles. She says he work was inspired by the religious paintings of the Flemish School. Traveling around Europe, she developed a technique of building up tone with thousands of fine cross-hatching lines.
Godmachine is inspired by pop culture visions thanks to him growing up "on a steady diet of nothing, 2000AD comics, Santa Cruz skateboards and old library books of Klimt and Beardsley."
"There was this video shop in my village when I was a kid, the only video shop for miles around," he recalls. "It was run by one of my older brother's friends and it was wall to wall awesome video cases of drawn, bad photo manipulations and terrible moustaches (a la Tom Selek)."
"I think without fail that shop defined my outlook on the art I am creating at the moment. I am working towards refining my shit but as a starting point. My inspiration came from a video shop in a small village (think Werewolf in London) crossed with the little curiosity shop in Gremlins where he buys the Mogwai and Royston Vasey... these fictional places created a great launching pad for me."
Steve McGinnis has made his own graphic novel, Rise of the Harvester, as well as working in children's illustration and horror art. His Horror illustrations have been featured in DIabolique magazine, Fangoria, Gorezone and Gore Noir. He says he started drawing at an early age.
"My aunt, who's a huge horror fan, used to babysit me and we'd watch all the '70s Hammer films, Jaws, The Universal Monsters, and pretty much anything that would keep me up all night," he reveals.
"It started reflecting in my art at a young age. I have some art I did at six featuring Grover vs Jaws. From then on, I was a horror fan. I grew up in the perfect time for horror; I was a kid in the 70s watching Hammer films and in the '80s watching slashers and so on.
"I draw just about everything but when I get to sit down and draw a horror character I really put everything I have into it. I guess you'd say it's my passion."
The Australian artist Rovina Cai has won the World Fantasy Award - Artist and the Hugo Award for Best Professional Artist. She's worked for Tor.com, The Folio Society, DC Comics, Hasbro and many more.
"I like the idea of creating something beautiful with just a bit of danger lurking around the edges," she says. "It's a challenge to get the right balance between dark and beautiful elements, but when it works, it creates something unexpected that makes the audience want to look closer."
"I created these images for the Month of Fear challenge. The first is an illustration of Dorian Gray – it was the perfect opportunity to use animation to create something unexpected.
"The second is an illustration of Frankenstein's Monster – I wanted to depict the monster as a sympathetic character, to make the grotesque beautiful."
"From a very early age, I've been drawn to the gothic and macabre," explains illustrator Dave Kendall, who is the illustrator and co-creator of The Deadworld series for 2000AD. "It started with exposure to the old Universal monster films and carried on with literary forms. Early exposure to Stoker's Dracula and the world of Stephen King cemented that."
"That love has carried over into many on my projects. Foremost among them was Houses of the Holy for the Madefire app, and illustrating The Dark Judges for 2000AD's Dreams of Deadworld."
Artist Kim Myatt grew up in a small town in rural Wales where she says folklore and the mundane were intertwined and magic was never far away. She says: "Horror is a fascinating subject for me. I like to go beyond the shocking and grisly blood 'n' guts and get into that more subtle terror. The unsettling feeling that follows you home at night.
"Nothing is scarier than what is already in the viewer's mind, and creating truly haunting pieces is a delicate dance of what to show and what not to show.
"Horror is personal, and nothing pleases me more than to hear someone have a genuine reaction to my work. It's like I've tapped into a part of their psyche they keep secret. Something unknown.
"On my own personal note, creating these images helps me understand my own fears and understanding is a method of control. Once you lance a boil it doesn't hurt anymore. That's why I paint what I paint."
For Martin McKenna, the appeal of horror is simple. "Drawing these things would be a way of prolonging my sojourns in the shadowy realms of my favourite genre books and movies; to revel in, and attempt to recreate, some of their atmosphere. I like spooky stuff!" he says.
"This illustration (above) shows Akharis the mummy, his half-mask giving me the chance to use a nice shiny golden death mask similar to Tutankhamun's, while still allowing a glimpse of his shrivelled flesh.
"His desiccated face recalling my favourite screen mummy, Karloff's Imhotep from 1932. The sarcophagus in the background pays tribute to the Doctor Who story Pyramids of Mars, itself a gothic horror classic!"
"I tend to gravitate towards the horror side of things, have always done so," says illustrator Iris Compiet. "Yet I stay away from the obvious blood and gore stuff. Instead I like to seek out the subtle feeling of unease, of despair, of horrific feelings.
"I try to lure people in under the pretence of things being normal and okay and as soon as you take a closer look you'll see something's off. To me horror is more about a feeling, about the little hairs in the back of your neck, about a shiver and shudder.
"The whispers in the dark, the scary tales at night. The folktales, the urban legends. The seemingly normal, the darkness that's in each and everyone of us. There's never black or white, good or bad but both and everything in between."
Jeff Simpson specialises in often dark and disturbing character illustration. He is now a full-time senior concept artist at Jar of Sparks after previously working freelance for the likes of Marvel Studios, Universal and Microsoft and Ubisoft. At the latter, he created character concepts for Assassin's Creed. He also posts "sketches, paintings, drawings, thoughts, videos, animations, experiments and failures" via his Patreon account.
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Alice Pattillo is a freelance journalist with a passion for heavy metal, horror, science fiction, fantasy and comics. She has over seven years experience in magazines, formerly working as a staff writer at Creative Bloq, Imagine FX, Computer Arts and 3D World, as production editor for Guitar World and Guitar Player and online editor of Metal Hammer.
