"Working in a prison presented numerous challenges": How we made the identity for charity Untold

Kate Marlow: We got involved through our partnership with the Design Against Crime Research Lab (DAC) at Central Saint Martins. In 2021, we were introduced to the governor of HMP Isis, Emily Thomas, and the work of Untold during a workshop with young offenders. The session was incredibly inspiring and motivated us to collaborate more closely with the charity.

Eleanor Robertson: It was a unique challenge, since electronic devices aren't allowed in prison, we relied entirely on analog methods – printed materials, paper, pens, Post-its, magazines, stencils and geometric shapes. We designed an eight-week introductory course covering design fundamentals, from strategy and logos to colour theory and typography. We had to be incredibly creative in our approach, making everything visual and interactive to accommodate different learning styles and backgrounds.

KM: We started by defining five key themes through a collaborative brainstorming process: proud, bold, transformative, radical, and optimistic. We used these as criteria to evaluate design choices. We worked with the young men to refine twelve 'big ideas' down to four creative territories, which eventually merged into two concepts. The final design was chosen through extensive discussion and debate, ensuring the young men had true creative ownership.

KM: The logo was directly inspired by the participants. They chose to use speech marks to symbolise giving a voice to those who are routinely silenced. Yellow was selected as the primary colour because the group felt it represented warmth and optimism. We paired this with a confident typeface that reflected pride and strength.

ER: Working in a prison presented numerous challenges. Security checks were complex, movement was restricted, and we never knew exactly who would be in our workshop due to the high turnover of prisoners. We also had to be sensitive to the fact that many participants had negative educational experiences, with about a third being neurodivergent or having special educational needs. Most of the young men had never completed a project in their lives.

KM: We learned that creativity can flourish in the most unexpected places. We saw how design and creative expression could be truly transformative, giving these young men a sense of purpose, confidence and hope. We were reminded that great design isn't about technology, but about strong ideas and meaningful collaboration.

KM: Watching the young men grow in confidence and take creative ownership of the project was incredibly rewarding. Seeing them develop design skills, articulate their ideas, and create something they were genuinely proud of was truly special.

ER: The new identity has already made a significant impact. Since the rebrand, Untold has doubled its funding, secured five new partners, and increased course enrolment. More importantly, it has given the young men a sense of agency, creativity, and hope.

ER: The feedback has been phenomenal. Three men involved in the project were transferred to open prisons after demonstrating outstanding behaviour and commitment. One participant, said the project made him more determined and gave him a sense of hope. Another appreciated the opportunity to express himself without criticism.

KM: This project demonstrates the power of creative education in rehabilitation. By giving these young men a voice and meaningful creative opportunity, we're not just designing a brand – we're helping to potentially change life trajectories.