True blue

From multi-million-dollar movies to student shorts, bluescreen work is now one of the most important tools in the visual effects artist's armoury. The technique allows a filmmaker to shoot foreground action against an evenly lit coloured background - usually blue or green - then replace these background areas with another image during compositing. While this second image can be a live-action plate, the technique is now commonly used to integrate actors and sets seamlessly into an all-CG environment. The technique was recently taken to its natural conclusion in movies such as Sky Captain and the World of Tomorrow, in which all the action was shot against coloured screens, which were then replaced with digital backgrounds.

But while all that is actually required for the technique is a length of blue fabric and a desktop compositing package (for details, see our 'Bluescreen on a budget' tutorial from issue 60, or download it here), to achieve truly polished results requires skill and experience.

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