The best acrylic paintbrushes

Hand using paintbrush to paint on canvas
(Image credit: Princeton Artist Brush Co.)

The best acrylic paintbrushes are the perfect choice for painting with acrylics paints. Acrylics are generally more affordable than oil paints, dry quickly allowing for faster work and layers, and offer vibrant colours that maintain their intensity when dry. But you can't just use any old brush to work with this type of paint. Instead, you’ll want sturdy, versatile brushes that are easy to maintain. 

I've gathered together the very best acrylic paintbrushes available today below, based on my rigorous testing. I've got hands-on with a wide range of brushes and paints, and employed them in a variety of painting techniques, to evaluate each brush's performance, durability and versatility. This has helped me curate a list that includes the top choices for both pros and beginners.

The best acrylic paintbrushes

FAQs

What brush should I use for acrylic paint?

Generally, the best paintbrushes for acrylic paint are synthetic rather than natural brushes since synthetic brushes are tougher, so they can cope better with the medium. All of our choices above are synthetic – though some emulate the feel of natural hair but offer a firmer brush.

When working with acrylics, we recommend using a selection of different shape and size brushes. For example, large brushes are useful for applying broad areas of colour quickly. Brush texture is worth considering too. Soft brushes suit blending and produce a smoother paint surface, while firmer brushes leave expressive marks and produce more textured effects.

How should I clean my acrylic paintbrushes?

It's important to clean your brushes thoroughly after use. Acrylic paints can be particularly hard on paintbrushes and they're difficult to clean off once dry. Whilst a lot of brushes suitable for oils work with acrylics, both are hard on brushes in different ways. Cleaning undiluted acrylic paint from brushes is similar to oil paint, but you just use water rather than spirit or oils.

Clean off as much paint as you can using a clean cloth or paper towel by wrapping the cloth around the ferrule of the brush and squeezing it with your thumb and forefinger. Work up towards the end of the bristles and repeat as many times as you need. You can use water in a jar or brush washer to clean as much paint as you can from the bristles, and then use a brush cleaner for a thorough clean (see our complete guide to how to clean paintbrushes for recommendations).

How often should I replace my acrylic paintbrushes?

Brushes don't last forever, and will eventually need to be replaced. However, with proper care, your acrylic paintbrushes can last for years. So it's less a question of how long you should leave it and more about keeping an eye on the state of your brush. Signs that your paintbrushes need to be replaced include split or frayed bristles, loss of elasticity and difficulty holding paint.

How should I store my acrylic paint brushes?

Storing your acrylic paint brushes carefully will help to maintain their shape and lifespan. Upright brush holders with breathable mesh or compartments will allow them to air-dry properly and prevent the bristles from bending. When storing brushes for long periods, breathable mesh sleeves can protect them from dust and maintain their shape.

Should I wet my acrylic brushes before painting?

You don't need to wet your acrylic brushes before painting. But it's often useful to do so. A wet brush will absorb the paint more readily, allowing for smoother application and better control over brushstrokes. It also means you can paint with fewer brushstrokes, preventing drag and creating cleaner lines, especially with washes and finer details.

Natural bristles, especially stiffer ones like hog hair, particularly benefit from being dampened because it makes them more pliable and easier to control.

However, there are situations where a dry brush might be preferable. For example, when you're applying thick layers of paint (what's called an impasto effect), a dry brush helps retain the texture of the brushstrokes. Dry brushing is also a specific technique where a nearly dry brush is used to lightly add highlights or create textured effects. Additionally, dry brushing makes it easier to control water dilution when working with washes or blending.

Ultimately, then, whether wet your acrylic brushes before painting depends on what kind of outcome you're looking for. And it's worth experimenting with both wet and dry brushes to see what works best for your artistic goals.

How to choose the best acrylic paintbrushes

When you're choosing the best acrylic paintbrush for you, there are a couple of key factors to consider. First, pay attention to the bristles. Acrylic paint can be hard on brushes as its texture means it's tricky to clean off once dry, and if you want your brushes to last you'll want to make sure they're easy to clean. So although you can buy brushes with natural hair, the best brushes for acrylic paint are normally synthetic because they're tougher.

Also, think about shape and size. Flat brushes are great for covering large areas and applying base coats. Round brushes are a good choice for details, blending, and controlled lines. Filbert brushes (flat with rounded edges) are useful for blending and creating smooth curves. Angle brushes are ideal for sharp lines and edges, whereas fan brushes are good for creating textured effects and foliage.

How we test the best acrylic paintbrushes

In this guide, I've selected the best acrylic paintbrushes based on my own experience as an artist. I've tested each of these brush options with a range of acrylic paints and different approaches to evaluate their performance, durability, and versatility. Based on my testing, I've picked out the options above that I think are suitable for artists with different levels and styles.

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Lancelot Richardson
Artist, painter and illustrator

Lancelot Richardson is an artist, painter, and freelance illustrator based in Brighton, UK. He tutors life drawing at independent art school Draw Brighton, and teaches in their online Patreon courses. He is also a freelance writer, producing articles on art and drawing. He works in both traditional and digital mediums.

With contributions from